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Vol 13 No 1 (2023): Special Issue: Teaching Global Music History: Practices and Challenges
Published:
2023-11-08
Full Issue
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Articles
Musicking across Hemispheres
A Transatlantic Approach to Western Music History and Curricular Reform at a Hispanic Serving Institution
Andrés R. Amado
1–23
PDF
On Musicology’s Responsibility to Music Education
The Case of Praxis II
Allison Robbins, Vilde Aaslid
24–44
PDF
Special Issue: Teaching Global Music History: Practices and Challenges
Introduction by the Guest Editors: Global Music History in the Classroom
Reflections on Concepts and Practice
Hyun Kyong Hannah Chang, Daniel F. Castro Pantoja, Hedy Law
45–51
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Threshold Concepts for Music Studies from Global Music Histories
Danielle Fosler-Lussier
52–63
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Teaching Music Colonialism in Global History
Pedagogical Pathways and Student Responses
Roe-Min Kok
64–82
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Teaching Cantonese Music in a Canadian University
Hedy Law
83–96
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Global Music History as Teaching Framework
Perspectives of a Generalist
Alecia D. Barbour
97–106
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Archives, Objects, and the Global History of Music
Nancy Yunhwa Rao
107–117
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Why I Don’t Teach Global Music History
Tamara Levitz
118–137
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“African Music is Global Music”
On Teaching Global Music in Nigeria and Making Historical Global Music in Boston
Michael Birenbaum Quintero, Samuel Ajose
138–162
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“Offer Less Variety and Teach Longer Focused Units”
Lessons Learned in Teaching Global Music History
Bonnie Gordon, Olivia Bloechl
163–173
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