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Vol 8 No 2 (2018)
Published:
2018-05-11
Special Section: Information Literacy and the Music History Classroom
Teaching Music History in a Multilingual Environment: An Accommodationist Approach
Kyle Fyr
1-14
PDF
Teaching Music History to Non-Native English Speaking Students: An Exploration of the Cultural and Linguistic Challenges
Maria Cristina Fava
15-29
PDF
Teaching Mao through Music: Pedagogy and Practice in the Liberal Arts Classroom
Lei Ouyang Bryant
30-61
PDF
Teaching Christian Chant in a Jewish Music Context
Reba Wissner
62-79
PDF
Music History Pedagogy and Kaupapa MÄori: Developing “Historical Literacy†in Aotearoa/New Zealand
Nancy Rachel November
80-96
PDF
Articles
Lifting the Veil: A Report on Graduate Music History Pedagogy Training in the United States (2015)
Samuel Andrew Granade
97-126
PDF
Legal Literacy: A Pedagogical Approach to Law for Musicians
Katherine M. Leo
127-146
PDF
Parallel Universes: Producing Live Performances of Style Period Musics in the Music Industry Studies Curriculum
Laurie Ruth Semmes
147-157
PDF
The Commutation Test and Chris Bacon’s Score for Source Code as a Framework for Film Music Pedagogy
Aaron Ziegel
158-173
PDF
Undergraduate Research and Affective Learning: Examining a Contemporary Music Research Project
Esther M. Morgan-Ellis
174-187
PDF
The Case for Performance Studies in Undergraduate Music History Teaching
Laurie McManus
188-207
PDF
Reports and Practices
A Version of Guided Notetaking for Use in Music History Courses: Fostering Engagement and Achievement through Critical Thinking and Writing
Catherine Mayes
208-227
PDF
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