AMS Publication Subventions

Spring 2014

The AMS is happy to announce its latest round of publication subventions. Twenty-eight books have been granted $44,000 in funds to support publication expenses.

Funding for AMS subventions is provided through the National Endowment for the Humanities, the Andrew W. Mellon Foundation, and the generous support of AMS members and friends. Publication subventions are administered by the Publications Committee of the AMS.

Those interested in applying for AMS publication subventions are encouraged to do so. See the program descriptions for full details. Deadlines are 15 February, 15 August.

Spring 2014 Recipients:

Jennifer Bain, Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer (Cambridge University Press); supported by the AMS 75 PAYS Endowment

Geoffrey Baker, El Sistema: Orchestrating Venezuela’s Youth (Oxford University Press); supported by the Manfred Bukofzer Endowment

Ryan Raul Bañagale, Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon (Oxford University Press); supported by the AMS 75 PAYS Endowment

Benjamin Brand, Holy Treasure and Sacred Song: Relic Cults and their Liturgies in Medieval Tuscany (Oxford University Press); supported by the AMS 75 PAYS Endowment

Jonathyne Briggs, Sounds French: Globalization, Cultural Communities and Pop Music in France, 1958-1980 (Oxford University Press); supported by the AMS 75 PAYS Endowment

David Brodbeck, Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna (Oxford University press); supported by the Donna Cardamone Jackson Endowment

Todd Decker, Who Should Sing “Ol’ Man River”?: The Lives of an American Song (Oxford University press); supported by the John Daverio Endowment

Meredith Kirkpatrick, ed., Ralph Kirkpatrick: Selected Letters (University of Rochester Press); supported by the Lloyd Hibberd Endowment

Nina Sun Eidsheim, Sensing Sound: Singing and Listening as Vibrational Practice (Duke University Press); supported by the AMS 75 PAYS Endowment

D. Rose Elder, Why the Amish Sing: Songs of Solidarity and Identity (Johns Hopkins University Press); supported by the Lloyd Hibberd Endowment

Kimberly Francis, Nadia Boulanger: Teaching Stravinsky (Oxford University Press); supported by the AMS 75 PAYS Endowment

Nalini Ghuman, Resonances of the Raj: India in the English Musical Imagination, 1897-1947 (Oxford University Press); supported by the Manfred Bukofzer Endowment

Andrew Granade, Harry Partch, Hobo Composer (University of Rochester Press); supported by the AMS 75 PAYS Endowment

Roger Mathew Grant, Beating Time and Measuring Music in the Early Modern Era (Oxford University Press); supported by the AMS 75 PAYS Endowment

Nadine Hubbs, Rednecks, Queers, and Country Music (University of California Press); supported by the Dragan Plamenac Endowment

Elaine Kelly, Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music (Oxford University Press); supported by the AMS 75 PAYS Endowment

Mark Kroll, Ignaz Moscheles and the Changing Face of Musical Europe (Boydell and Brewer); supported by the Claire and Barry Brook Endowment

Matthew McDonald, Breaking Time's Arrow: Experiment and Expression in the Music of Charles Ives (Indiana University Press); supported by the AMS 75 PAYS Endowment

Scott Messing, Marching to the Canon: The Life of Schubert's "Marche militaire" (University of Rochester Press); supported by the Joseph Kerman Endowment

Michael Ochs, Joseph Rumshinsky, Di goldene kale (1923). Full-Score Critical Edition. (A-R Editions); supported by the Gustave Reese Endowment

Katelijne Schiltz, Music and Riddle Culture in the Renaissance (Cambridge University Press); supported by the Martin Picker Endowment

David Schulenberg, The Music of Carl Philipp Emanuel Bach (University of Rochester Press); supported by the Otto Kinkeldey Endowment

Assaf Shelleg, Jewish Contiguities and the Soundtrack of Israeli History (Oxford University Press); supported by the AMS 75 PAYS Endowment

Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 (Columbia University Press); supported by the AMS 75 PAYS Endowment

Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities (University of Illinois Press); supported by the AMS 75 PAYS Endowment

Andrew Talle, Keyboard Culture in the Time of J.S. Bach (University of Illinois Press); supported by the AMS 75 PAYS Endowment

Kate van Orden, Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe (Oxford University Press); supported by the Margarita M. Hanson Endowment

Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge University Press); supported by the Otto Kinkeldey Endowment


Subventions awarded Fall 2013

Subventions awarded Spring 2013

Subventions awarded Fall 2012

Subventions awarded Spring 2012

Subventions awarded Fall 2011

Subventions awarded Spring 2011

Subventions awarded Fall 2010

Subventions awarded in Spring 2010

For the complete list of previous AMS publication subventions, see the AMS "Books supported" web site.

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