Publications supported by AMS Publication Subventions — 2001-2006

2015-2016   2013-2014   2011-2012   2007-2010    2005    2004    2003    2002    2001    1997-2000   1996 and earlier   

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Claire Fontijn, Desperate Measures: The Life and Music of Antonia Padoani Bembo. Oxford University Press. ISBN 0195135385.


Heidi Feldman, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Wesleyan University Press. ISBN 0819568147.


William Kinderman, ed., The String Quartets of Beethoven. University of Illinois Press. ISBN 0252030362.

Margaret Notley, Lateness and Brahms, Oxford University Press. ISBN 0195305477.

Busse Berger

Anna Maria Busse Berger, Medieval Music and the Art of Memory. University of California Press. ISBN 0520240286.


Leta Miller and Frederic Lieberman, Lou Harrison. University of Illinois Press. ISBN 0252031202.

Jonathan Holt Shannon, Among the Jasmine Trees: Music and Modernity in Contemporary Syria. Wesleyan University Press. ISBN 0819567981.


Mary Frandsen, Crossing Confessional Boundaries. Oxford University Press. ISBN 0195178319.

Kelley Harness, Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. University of Chicago Press. ISBN 0226316599.

Susan Boynton, Liturgy, History, and Power at the Imperial Abbey of Farfa. Cornell University Press. ISBN 0801443814.

Judith Peraino, Listening to the Sirens: Musical Technologies of Queer Identity. University of California Press. ISBN 0520215877.

Elisabeth Le Guin, Boccherini: An Essay in Carnal Musicology. University of California Press. ISBN 0520240170.

David Lewin, Studies in Music with Text. Oxford University Press. ISBN 0195182081.


Mary Davis, Classic Chic:  Music, Fashion, and Transatlantic Modernism. University of California Press. ISBN 0520245423.


Scott Messing, Schubert in the European Imagination: Volume 1: The Romantic and Victorian Eras; and Volume 2: Fin-de-Siècle Vienna. University of Rochester Press. ISBN 1580462332 and 1580462138.


Russell Stinson, The Reception of Bach's Organ Works from Mendelssohn to Brahms. Oxford University Press. ISBN 0195171098.


Jeffrey Magee, The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz. Oxford University Press. ISBN 0195090225.

Claudia Macdonald, Robert Schumann and the Piano Concerto. Routledge. ISBN 0415972477

Kate van Orden, Music, Discipline, and Arms in Early Modern France. University of Chicago Press. ISBN 0226849767.

Annegret Fauser, Musical Encounters at the 1889 Paris World’s Fair. University of Rochester Press. ISBN 1580461859.

Allan Marett, Songs, Dreamings, and Ghosts: The Wangga of North Australia. Wesleyan University Press. ISBN 0819566127.

David Beach, Aspects of Unity in J.S. Bach's Partitas and Suites. University of Rochester Press. ISBN 1580462022.


Robert Fink, Repeating Ourselves: American Minimal Music as Cultural Practice. University of California Press. ISBN 0520245504.


Beth L. Glixon and Jonathan E. Glixon, Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. (AMS Studies, 2) Oxford University Press. ISBN 0195154169.

Steven Swayne, How Sondheim Found His Sound. University of Michigan Press. ISBN 0472114972.


Nancy Toff, Monarch of the Flute: The Life of Georges Barrère, Oxford University Press. ISBN 0195170164.


Mark Katz, Capturing Sound: How Technology Has Changed Music, University of California Press. ISBN 0520243803.

Bonnie Gordon, Monteverdi's Unruly Women: The Power of Song in Early Modern Italy. Cambridge University Press. ISBN 0521845297.

Erika Reiman, Schumann's Piano Cycles and the Novels of Jean Paul. University of Rochester Press. ISBN 158046145X.

Diane Pecknold, ed., A Boy Named Sue: Gender and Genre in Country Music. University Press of Mississippi. ISBN 1578066778.

Raymond Knapp, The American Musical and the Formation of National Identity. Princeton University Press. ISBN 0691118647.

Cristina Magaldi, Music in Imperial Rio de Janeiro. The Scarecrow Press. ISBN 0810850257.

Justin London, Hearing in Time: Psychological Aspects of Musical Meter. Oxford University Press. ISBN 0195160819.

Deborah Burton et al., Tosca's Prism. Northeastern University Press. ISBN 1555536166.


Bernard Sherman and Michael Musgrave, Performing Brahms.  Cambridge University Press. ISBN 0521652731.

Natalie J. Kreutzer, Zimbabwe Children's Singing Games (DVD). University of Idaho.

Michael Spitzer, Metaphor and Musical Thought. University of Chicago Press. ISBN 0226769720.


David Yearsley, Bach and the Meanings of Counterpoint. Cambridge University Press.

Sophie Fuller and Lloyd Whitesell, eds., Queer Episodes in Music and Modern Identity. University of Illinois Press.

Hugh MacDonald, Berlioz's Orchestration Treatise. Cambridge University Press. ISBN 0521239532.

Lawrence Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis. Oxford University Press, (AMS Studies, 1) ISBN 0195140230.

Eugene Wolf, Manuscripts from Mannheim, ca. 1730-1778: A Study in the Methodology of Musical Source Research. Peter Lang Publishing. ISBN 0820460052.


Richard Freedman, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France.  University of Rochester Press. ISBN 1580460755.

Judith Lochhead and Joseph Auner, Postmodern Music/Postmodern Thought.  Garland Publishing. ISBN 0815338201.

Rebecca Wagner Oettinger, Music as Propaganda in the German  Reformation. Ashgate Publishing. ISBN 0313245053.

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