AMS 75 PAYS Subventions
Funded through the generous support of the National Endowment for the Humanities, the Andrew W. Mellon Foundation, The Gladys Kriebel Delmas Foundation, and the generous contributions of many individual donors, AMS 75 PAYS Subventions provide support up to $5,000 for the publication of first books by scholars in the early stages of their career. The purpose of this subvention is to facilitate the publication of original and significant research in any recognized field of musicology by providing financial support to publishers in order to offset the costs of book production and thereby reduce the retail price of the book. The AMS anticipates awarding nine to eighteen such subventions annually.
Applications should come directly from publishers, in consultation with the author. Applications should be made after the work is complete and readers’ reports and author’s responses are in hand. Books receiving subventions should appear in print no later than twenty-four months after the date of application.
Publishers should send to the Chair of the Review Committee:
- affirmation that the work under consideration is a first book, and that the author has received the Ph.D. in any recognized field of musicology within the past ten years
- a copy of the entire manuscript
- copies of the readers’ reports and author’s responses
- a financial statement that includes the following:
- a breakdown of the costs of publication, showing format, size of print run, and projected costs
- the amount requested from the AMS as a subvention
- the impact of the subvention on the production costs and anticipated retail price of the book
- projected timeline for publication.
All materials, including the manuscript, must be submitted electronically. Contact the AMS office for FTP instructions if necessary.
Materials should be sent to the office of the AMS, firstname.lastname@example.org.
All application materials will be treated confidentially by the review committee.
Application deadlines: materials must be received by 15 February and 15 August each year. The review committee will notify applicants of its decision within five months of each application deadline.
Sharon Ammen, May Irwin: Singing, Shouting, and the Shadow of Minstrelsy. University of Illinois Press. ISBN 9780252040658.
Walter Zev. Feldman, Klezmer: Music, History, and Memory . Oxford University Press. ISBN 9780190244514.
Marc Gidal, Spirit song : Afro-Brazilian religious music and boundaries. Oxford University Press. ISBN 9780199368228.
Chérie Rivers Ndaliko, Necessary Noise: Art, Music, and Charitable Imperialism in the East of Congo. Oxford University Press. ISBN 9780190499570.
Jesus A. Ramos-Kittrell, Playing in the Cathedral: Music, Race, and Social Status in Eighteenth-Century Mexico City. Oxford University Press. ISBN .
Benjamin Teitelbaum, Lions of the North: Music and New Nordic Radical Nationalism . Oxford University Press. ISBN 9780190212599.
Joan Titus, The early film music of Dmitry Shostakovich. Oxford University Press. ISBN 9780199315147.
Nicholas Tochka, Audible States: The Political Economy of Popular Music-Making in Albania Since 1945 . Oxford University Press. ISBN 9780190467814.
Roger Moseley, Keys to Play: Music as a Ludic Medium from Apollo to Nintendo. University of California Press. ISBN 9780520291249.
Rebecca Cypess, “Curious and Modern Inventions”: Music and Instrumentality in Early Modern Italy. University of Chicago Press. ISBN 9780226319445.
Luisa Nardini, Interlacing Traditions: Neo-Gregorian Chant in Beneventan Manuscripts. Pontifical Institute of Medieval Studies. ISBN 9780888442055.
Emily Wilbourne, Seventeenth-Century Opera and the Sound of the Commedia dell’Arte. University of Chicago Press. ISBN 9780226401577.
Deirdre Loughridge, Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Romanticism. University of Chicago Press. ISBN 9780226337098.