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Tue July 8, 2008
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Tue July 8, 2008
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Publications supported by AMS Publication Subventions
| 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 |
| 1999 | 1998 | 1997 | 1996 and earlier | Forthcoming |
2008
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Vanessa Agnew, Enlightenment Orpheus: The Power of Music in Other Worlds, Oxford University Press. ISBN-13: 978-0195336665. |  |
Richard Kramer, Unfinished Music, Oxford University Press. ISBN 9780195326826. Buy it at Amazon |
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Halina Goldberg, Music in Chopin's Warsaw, Oxford University Press. ISBN-13: 978-0195130737. |  |
Steven Zohn, Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works . Oxford University Press. ISBN-13: 9780195169775. | |
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Lorenzo Candelaria, The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo. University of Rochester Press. ISBN 1580462057. |
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Kay Dickinson, Off Key: When Film and Music Don't Work Together. Oxford University Press. ISBN-13: 9780195326635. |
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Martha Feldman, Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. University of Chicago Press. ISBN 0226241122. |
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Rebecca S. Miller, Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean. Wesleyan University Press. ISBN 0819568589. | |
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Ingrid Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa, Oxford University Press. ISBN 0195128257. |
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Jeremy Day-O'Connell, Pentatonicism from the Eighteenth Century to Debussy. University of Rochester Press. ISBN 1580462480. | |
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Ellen Rosand, Monteverdi’s Last Operas: A Venetian Trilogy, University of California Press. ISBN 0520249348. |
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Nicholas Cook, The Schenker Project: Culture, Race, and Music Theory in Fin-de Siècle Vienna. Oxford University Press. ISBN 9870195170566. | |
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Christina Bashford, The Pursuit of High Culture: John Ella and Chamber Music in Victorian London, Boydell & Brewer. ISBN 1843832984. |  |
Deborah Kapchan, Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace, Wesleyan University Press. ISBN 081956852X. | |
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Robert O. Gjerdingen, Music in the Galant Style. Oxford University Press. ISBN 0195313712. |  |
Michael Veal, Dub: Soundscapes and Shattered Songs in Jamaican Reggae, Wesleyan University Press. ISBN 0819565725. | |
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Tilden Russell and Dominique Bourassa, The "Menuet de la Cour." (Terpsichore: Tanzhistorische Studien, vol. 4.) Georg Olms Verlag. ISBN 9783487132648. |  |
Danielle Fosler-Lussier, Music Divided: Bartók's Legacy in Cold War Culture, University of California Press. ISBN 0520249658. | |
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Howard Pollack, George Gershwin: His Life and Work. University of California Press. ISBN 0520248643. |  |
Marie Elizabeth Labonville, Juan Bautista Plaza and Musical Nationalism in Venezuela. Indiana University Press. ISBN 0253348765. |
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Claire Fontijn, Desperate Measures: The Life and Music of Antonia Padoani Bembo. Oxford University Press. ISBN 0195135385. |  |
Heidi Feldman, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Wesleyan University Press. ISBN 0819568147. | |
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William Kinderman, ed., The String Quartets of Beethoven. University of Illinois Press. ISBN 0252030362. |  |
Margaret Notley, Lateness and Brahms, Oxford University Press. ISBN 0195305477. | |
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Anna Maria Busse Berger, Medieval Music and the Art of Memory. University of California Press. ISBN 0520240286. |  |
Leta Miller and Frederic Lieberman, Lou Harrison. University of Illinois Press. ISBN 0252031202. |
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Jonathan Holt Shannon, Among the Jasmine Trees: Music and Modernity in Contemporary Syria. Wesleyan University Press. ISBN 0819567981.
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Mary Frandsen, Crossing Confessional Boundaries. Oxford University Press. ISBN 0195178319. | |
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Kelley Harness, Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. University of Chicago Press. ISBN 0226316599. |
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Susan Boynton, Liturgy, History, and Power at the Imperial Abbey of Farfa. Cornell University Press. ISBN 0801443814. |
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Judith Peraino, Listening to the Sirens: Musical Technologies of Queer Identity. University of California Press. ISBN 0520215877. |  |
Elisabeth Le Guin, Boccherini: An Essay in Carnal Musicology. University of California Press. ISBN 0520240170. |
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David Lewin, Studies in Music with Text. Oxford University Press. ISBN 0195182081. |  |
Mary Davis, Classic Chic: Music, Fashion, and Transatlantic Modernism. University of California Press. ISBN 0520245423. | |
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Scott Messing, Schubert in the European Imagination: Volume 1: The Romantic and Victorian Eras; and Volume 2: Fin-de-Siècle Vienna. University of Rochester Press. ISBN 1580462332 and 1580462138. |  |
Russell Stinson, The Reception of Bach's Organ Works from Mendelssohn to Brahms. Oxford University Press. ISBN 0195171098. |
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Jeffrey Magee, The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz. Oxford University Press. ISBN 0195090225. |  |
Claudia Macdonald, Robert Schumann and the Piano Concerto, Routledge. ISBN 0415972477 | |
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Kate van Orden, Music, Discipline, and Arms in Early Modern France. University of Chicago Press. ISBN 0226849767. |  |
Annegret Fauser, Paris 1889: Musical Encounters at a World's Fair. University of Rochester Press. ISBN 1580461859. | |
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Allan Marett, Songs, Dreamings, and Ghosts: The Wangga of North Australia. Wesleyan University Press. ISBN 0819566127. |  |
David Beach, Aspects of Unity in J.S. Bach's Partitas and Suites. University of Rochester Press. ISBN 1580462022. |
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Robert Fink, Repeating Ourselves: Minimal Music as Cultural Practice. University of California Press. ISBN 0520245504. |  |
Beth L. Glixon and Jonathan E. Glixon, Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. (AMS Studies, 2) Oxford University Press. ISBN 0195154169. | |
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Steven Swayne, How Sondheim Found His Sound. University of Michigan Press. ISBN 0472114972. |  |
Nancy Toff, Monarch of the Flute: The Life of Georges Barrère, Oxford University Press. ISBN 0195170164. |
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Mark Katz, Capturing Sound: How Technology Has Changed Music, University of California Press. ISBN 0520243803. |  |
Bonnie Gordon, Monteverdi's Unruly Women: The Power of Song in Early Modern Italy. Cambridge University Press. ISBN 0521845297 | |
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Erika Reiman, Schumann's Piano Cycles and the Novels of Jean Paul. University of Rochester Press. ISBN 158046145X. |  |
Diane Pecknold, ed., A Boy Named Sue: Gender and Genre in Country Music. University Press of Mississippi. ISBN 1578066778. | |
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Raymond Knapp, The American Musical and the Formation of National Identity. Princeton University Press. ISBN 0691118647. |  |
Cristina Magaldi, Music in Imperial Rio de Janeiro. The Scarecrow Press. ISBN 0810850257. | |
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Justin London, Hearing in Time: Psychological Aspects of Musical Meter. Oxford University Press. ISBN 0195160819. |  |
Deborah Burton et al., Tosca's Prism. Northeastern University Press. ISBN 1555536166. |
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Bernard Sherman and Michael Musgrave, Performing Brahms. Cambridge University Press. ISBN 0521652731. |  |
Natalie J. Kreutzer, Zimbabwe Children's Singing Games (DVD). University of Idaho. | |
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Michael Spitzer, Metaphor and Musical Thought. University of Chicago Press. ISBN 0226769720. |
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David Yearsley, Bach and the Meanings of Counterpoint, Cambridge University Press |  |
Sophie Fuller and Lloyd Whitesell, eds., Queer Episodes in Music and Modern Identity. University of Illinois Press |
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Hugh MacDonald, Berlioz's Orchestration Treatise, Cambridge University Press. ISBN 0521239532. |  |
Lawrence Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis. Oxford University Press (AMS Studies, 1) ISBN 0195140230. |
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Eugene Wolf, Manuscripts from Mannheim, ca. 1730-1778: A Study in the Methodology of Musical Source Research. Peter Lang Publ. ISBN 0820460052. |
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Richard Freedman, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. University of Rochester Press. ISBN 1580460755. |  |
Judith Lochhead and Joseph Auner, Postmodern Music/Postmodern Thought. Garland Publishing. ISBN 0815338201. | |
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Rebecca Wagner Oettinger, Music as Propaganda in the German Reformation. Ashgate Publishing. ISBN 0313245053. |
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Jeanice Brooks, Courtly Song in Late Sixteenth-Century France. University of Chicago Press. ISBN 0226075877. |
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Carol J. Oja, Making Music Modern: New York in the 1920s. Oxford University Press. ISBN 0195058496. |
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Graeme Boone, Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay. University of Nebraska Press. (AMS Monographs, 1) ISBN 0803212356. |
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John A. Rice, Antonio Salieri and Viennese Opera. University of Chicago Press. ISBN 0226711250. |
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Margaret Bent & Andrew Wathey, Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146. Clarendon Press. |
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Judit Frigyesi, Béla Bartók and Turn-of-the-Century Budapest. University of California Press. | |
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Bob Gilmore, Harry Partch: A Biography. Yale University Press. |  |
Patrick Macey, Bonfire songs: Savonarola's musical legacy. Oxford University Press. |
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Ralph Locke and Cyrilla Barr, eds., Cultivating Music in America: Women Patrons and Activists since 1860. University of California Press. |  |
Jessie Ann Owens, Composers at Work: The Craft of Musical Composition 1450–1600. Oxford University Press. | |
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Kay Kaufman Shelemay and Peter Jeffery, Ethiopian Christian Liturgical Chant: An Anthology. Recent Researches in the Oral Traditions of Music, 1. A-R Editions. |
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Paula Higgins, ed., Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music. Oxford University Press, 1996. | Robert L. Kendrick, Celestial Sirens: Nuns and Their Music in Early Modern Milan. Oxford University Press, 1996. | ||
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László Somfai, Béla Bartók: Composition, Concepts, and Autograph Sources. University of California Press, 1996. |  |
Richard Taruskin, Stravinsky and the Russian Traditions: A Biography of the Works Through “Mavra.” University of California Press, 1996. | |
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Martha Feldman, City Culture and the Madrigal at Venice. University of California Press, 1995. | Steven Saunders, Cross, Sword and Lyre, Sacred Music at the Imperial Court of Ferdinand II of Habsburg (1619-1637). Oxford University Press, 1995. | ||
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Thomas Connolly, Mourning Into Joy: Music, Raphael, and Saint Cecilia. Yale University Press, 1994. | Richard Kramer, Distant Cycles: Schubert and the Conceiving of Song. University of Chicago Press, 1994. | ||
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Anna Maria Busse Berger, Mensuration and Proportion Signs, Origins and Evolution. Oxford University Press, 1993. ISBN 0198162308. |  |
Richard Leppert, The Sight of Sound: Music, Representation, and the History of the Body. University of California Press, 1993. | |
| Louise K. Stein, Songs of Mortals, Dialogues of the Gods: Music and Theatre in Seventeenth-Century Spain. Oxford University Press, 1993. ISBN 0198162731. |
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Heinrich Schenker, Beethoven's Ninth Symphony, A Portrayal of Its Musical Content, with Running Commentary on Performance and Literature As Well. Translated and edited by John Rothgeb. Yale University Press, 1992.
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| Ellen Rosand, Opera In Seventeenth-Century Venice: The Creation of a Genre. University of California Press, 1990. |  |
Eric Chafe, Tonal Allegory in the Vocal Music of J.S. Bach. University of California Press, 1991. |
James Webster, Haydn's "Farewell" Symphony and the Idea of Classical Style: Through-composition and Cyclic Integration in His Instrumental Music. Cambridge University Press, 1991.
American Sacred Music Imprints 1698-1810: A Bibliography. By Allen Perdue Britton and Irving Lowens; completed by Richard Crawford. 1990 American Antiquarian Society.
Analyzing Opera: Verdi and Wagner. Edited by Carolyn Abbate and Roger Parker. University of California Press, 1989.
E. Eugene Helm, Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. Yale University Press, 1988.
Alan Tyson, Mozart: Studies of the Autograph Scores. Harvard
University Press, 1987.
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Gary Tomlinson, Monteverdi and the End of the Renaissance. University of California Press, 1987/1990. |
Wayne Howard, Veda Recitation in Varapasi. Motilal Barnarsidass, Delhi, India, 1986.
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Ralph P. Locke, Music, Musicians and the Saint-Simonians. University of Chicago Press, 1986. |
Women Making Music. The Western Art Tradition 1150-1950. Edited by Jane Bowers and Judith Tick. University of Illinois Press, 1986.
Douglas Johnson, Alan Tyson & Robert Winter, The Beethoven Sketchbooks: History, Reconstruction, Inventory. Edited by Douglas Johnson. University of California Press, 1985.
Mendelssohn and Schumann: Essays on Their Music and Its Context.
Edited by Jon W. Finson and R. Larry Todd, Duke University Press, 1984.
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Elliott Antokeletz, The Music of Béla Bartók. University of California Press, 1984/1990. |
Nino Pirrotta, Music and Culture in Italy from the Middle Ages to the Baroque. Harvard University Press, 1984.
Frederick Hammond, Girolamo Frescobaldi. Harvard University Press, 1983.
H. Wiley Hitchcock, The Works of Marc-Antoine Charpentier: Catalogue Raisonné. Picard, 1982..
Hans Tischler, The Earliest Motest (to circa 1270): A Complete Comparative Edition. Three volumes. Yale University Press, 1981.
Haydn Studies. Edited by Jens Peter Larsen, Howard Serwer, and James Webster. W.W. Norton & Co., 1981.
Report of the Twelfth Congress of the International Musicological Society, Berkeley, 1977, ed. Daniel Heartz and Bonnie Wade. Bärenreiter, 1981.
Heinrich Schenker, Free Composition (Der Frie Satz). Volume III of New Musical Theories and Fantasies. Translated and edited by Ernst Oster. Longman, 1979.
Alejandro Enrique Planchart, The Reportory of Tropes at Winchester. Two Volumes. Princeton University Press, 1977.
Newell Jenkins and Bathia Churgin, Thematic Catalogue of the Works of Giovanni Battista Sammartini. Published for the American Musicological Society by Harvard University Press, 1977.
Triodium Athoum (Monumenta Musicae Byzantinae, Volume IX). Edited by Enrica Follieri and Oliver Strunk, Hauniae, Munksgaard, Copenhagen, 1975.
Jacobi Arcadelt, Opera Omnia. Edited by Albert Seay. Ten volumes. Corpus Mensurabilis Musicae 31. American Institute of Musicology, in collaboration with the American Musicological Society, 1965-1970.
The Commonwealth of Music. Edited by Gustave Reese and Rose Brandel. The Free Press, 1965.
Kenneth Hamilton & Monika Hennemann, The Piano in Prose. Scarecrow Press.
Clayton Henderson, The Charles Ives Tunebook, second revised edition, Indiana University Press.
Alexander Lingas, Sunday Matins in the Byzantine Cathedral Rite: Music and Liturgy. Ashgate Press.
Gayle Sherwood Magee, Charles Ives Reconsidered.
Rebecca Maloy, Inside the Offertory, Oxford University Press.
Gayle Murchison, The American Stravinsky: The Style and Aesthetics of Copland's New American Music, The Early Works, 1921-1938, University of Michigan Press.
Volker P. Schier, Katerina's Windows, University of Chicago Press.
Derek Scott, Sounds of the Metropolis, Oxford University Press.
Catherine Parsons Smith, William Grant Still, University of Illinois Press.
Judith Tick, ed., Music in the USA: A Documentary Companion, Oxford University Press.
Nina Treadwell, Music and Wonder at the Medici Court: The 1589 Interludes for "La pellegrina."
Lloyd Whitesell, The Music of Joni Mitchell.
